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↓ Read on
You have found the Reliquary. It is a shop. I am aware of how that sounds, given everything else I keep, but I would rather tell you plainly than have you discover it in a footnote.
The Choir reclaims. That is their one ritual, and it is the whole of their theology: when someone walks out of a house, they leave behind what the house dressed them in, and it is remade from what they carried and what the world threw away. Nothing is wasted. Conform to nothing. Carry only what you chose.
What hangs here was made by that method, by those hands. Cut, gilded, mended, made strange, made theirs. You are not what they dressed you as.
It is made. Then you take it up. In that order, and no other.
Every piece is finished, catalogued, and photographed before it is ever listed. What you see is not a promise of a thing. It is the thing. It already exists, it is already sitting in the dark somewhere, and it is waiting to find out whose it is.
There are no commissions and no custom orders. Nothing here is built to your measurements. I am told other establishments will make you whatever you like. This is not one of them, and the Choir has never once taken an instruction from a house.
Every item is one of one. There is no second. There is no restock. The Reclaiming does not run twice over the same cloth, and a thing that was carried out of one life is not mass-produced into a thousand others.
Once a relic is taken, it is gone. I find this is the only part of the archive nobody argues with.
Beyond the wardrobe there is the world itself — the writing, the score, the transmissions, the voices in the dark that are not mine. Some of that is kept in house.
For the rest, the Reliquary partners with Faefield Productions, who carry the multimedia elements: the music and original soundtrack, the recordings, the voice actors and voice acting, the environmental audio, and the audio engineering and mastering. If you have heard this world rather than only read it, you have heard their work.
We work with local and national artisans, and more will be added as they come. The Choir has always been drawn from everywhere and nowhere. As collaborators join the archive, their work is credited here.
You may buy me a Ko-fi, or take up a relic from the shop. Either keeps the channel open and the lamp lit. Neither is required. I have kept this record for a long time without asking anyone for anything, and I would keep it a while longer out of sheer spite if it came to that.
Anything practical — an order, a payment, a parcel, a question about a piece — belongs on the contact form or at thegildedarchivist@proton.me. Write plainly. You will be answered plainly.